https://jbonamassa.com/influence-son-house-delta-chicago-blues-2 elements in their songs. Son House. “ Walkin’ Blues” illustrates the lessons that Johnson received from Son House. Several artists, like Elvis Presley, have recorded the song (Ken 20). “ Blue Moon of Kentucky” illustrates enhancement of slow waltz (3/4 time) to the blues flavored tune (4/4 time). The harmony instruments of the two songs ensure they sound unique. When he was in his early teens, they moved to Algiers, New Orleans. Son House himself alleged that he was middle aged during World War I, and, more specifically, that he was 79 in 1965, which would mean that he was born around 1886. Its popularity increased in 1961, after the reissue in LP King of the Delta Blues Singer (Cult 24). Blues Lyrics. [22] With their encouragement, he relearned his repertoire and established a career as an entertainer, performing for young, mostly white audiences in coffeehouses, at folk festivals and on concert tours during the American folk music revival, billed as a "folk blues" singer. There he was a formative influence on Robert Johnson and Muddy Waters. Eddie "Son" House's first recording session, May 28, 1930, yielded three 2-part blues releases on the Paramount label and a test pressing of "Walking Blues." He also absorbed the family love of music but confined himself to singing, showing no interest in the family instrumental band, and hostile to the blues on religious grounds. [23] The Arcola CD also included an interview of House recorded on November 15, 1969 in Seattle.[24]. [18] The musical partnership is disputed by Patton's biographers Stephen Calt and Gayle Dean Wardlow. Musical style and tone are masterfully unified in a classic statement of the Delta blues.

'; Musical style and tone are masterfully unified in a classic statement of the Delta blues. "Child Is Father to the Man: How Al Wilson Taught Son House to Play Son House", "Arcola Records, music cds, Traditional Jazz Blues, Son House", "KRAB-FM, Seattle - Programs: KRAB has the Blues - King Biscuit Time with Bob West", Memphis Beale Street Brass Note Submission Biography, Bob West interview of Son House March 16, 1968, https://en.wikipedia.org/w/index.php?title=Son_House&oldid=986715898, Creative Commons Attribution-ShareAlike License, "Mississippi County Farm Blues" (unissued and lost until 2006), "Government Fleet Blues", with Brown, Martin, Williams, "Camp Hollers", with Brown, Martin, Williams, "Key of Minor" (Interviews: Demonstration of concert guitar tuning), This page was last edited on 2 November 2020, at 15:48. [15] The date of the killing and the duration of his sentence are unclear; House gave different accounts to different interviewers, and searches by his biographer Daniel Beaumont found no details in the court records of Coahoma County or in the archive of the Mississippi Department of Corrections. He quickly developed a unique style by applying the rhythmic drive, vocal power and emotional intensity of his preaching to the newly learned idiom. The producer John Hammond asked Wilson, who was just 22 years old, to teach "Son House how to play like Son House," because Wilson had such a good knowledge of blues styles. House died in 1988. The producer John Hammond asked Wilson, who was just 22 years old, to teach "Son House how to play like Son House," because Wilson had such a good knowledge of blues styles. Son House greets his “discoverers”, he hadn’t known he that he was lost. No Comments; 0 Tags; Well got up this morning, feeling ‘round for my shoes Know about that, I got the walkin' blues I said I got up this morning, I was feeling ‘round for my shoes I said you know about that now, I got the walkin' blues. Son House vs Robert Johnson. In a hamlet south of Clarksdale, he heard one of his drinking companions, either James McCoy or Willie Wilson (his recollections differed), playing bottleneck guitar, a style he had never heard before. About Walkin' Blues "Walkin' Blues" or "Walking Blues" is a blues standard written and recorded by American Delta blues musician Son House in 1930. He had been retired from the music business for many years and was unaware of the 1960s folk blues revival and international enthusiasm for his early recordings. 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